Allure of Immersion, by Alican Çamcı
In October, I visited Crystal Bridges Museum of American Art, founded by…
Music
Listen for Change: Katie Moulton Interviews Author and Musician Sarah Pinsker
On March 10, in a warm room full of listeners, I got…
Cataloging Quarantine: Conversation with Jordan Jacks, Writer & Record Collector
For her second contribution to our Friday with the Fellows posts, music…
Quarantine Playlists: I Wish You Music
Welcome to our second edition of Friday with the Fellows–a series of…
Play and Politics in Contemporary Rap
This weeks’ post was contributed by OCH research fellow and TU graduate…
Hot Work for Coldplay: Approaching Music Criticism with a Ludic Attitude
This weeks’ blog post comes from music writer and OCH Public…
Channeling the Voice of God: Singing Benjamin Britten’s “War Requiem”
By Layne Farmen I. “It isn’t music for the casual listener. I…
Remembering World War I, 100 years later: Benjamin Britten’s War Requiem
“My subject is War, and the pity of War. The Poetry is…
Lance Canales: Woody Guthrie Performance
108 | Contemporary, The Woody Guthrie Center, and The Oklahoma Center for…
Bloomsday 2018 Street Brunch Celebration
Tulsa’s annual Bloomsday celebration is getting a makeover in 2018. Rather than…
Homelands through a Different Lens: Oklahoma! In Concert
Director Machele Miller Dill talks about the profound experience of directing an…
Oklahoma: Home to More Historically All-Black Towns than Any Other U.S. State
Image from a pictorial exhibit of 25 colorized early 1900 to 1940s…
Oklahoma: Hot and Cold
Our weekly updates from the Humanities Research Fellows concludes for 2017 with a post from Jeff…
4th Annual TU Arts and Humanities Festival
Please join us on April 25th from 10:00am to 2:00pm as we…
Research Seminar on Homelands Call for Applications
“You don’t have a home until you leave it and then, when…